Rooted in the mountains, lakes, and salt flats of the Bolivian altiplano, these works capture the mythic presence of the Andean landscape—Illimani, Huayna Potosí, Titicaca as living entities rather than scenery.
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On black backgrounds, this series explores figures and forms that emerge from darkness like memories surfacing. I focus on how different senses perceive stimuli and how these experiences overlap, weaving new forms and meanings.
Intimate drawings mapping the city from the inside, its cable cars, ravines, hillside shacks, and the people who move through them. La Paz as a living topography–its landscape, its people, and its energy all woven together
This work began as a rotten, half-eaten piece of wood whose textures, shaped by decay and woodworm, suggested transformation and mortality. I cleaned and sanded it until its final form emerged. Inspired by Marcelo Callau, it reflects mestizaje—a future of racial and cultural blending built on tolerance and mutual respect.
At Looking Well Studios, I collaborated with NHS clients facing mental health, personality, or emotional challenges to turn raw emotion into etchings, sculptures, and more. Art didn’t just create—it lit up eyes that had forgotten how to shine.
Students from Bowland High School co-created an illuminated sculpture marking 50 years of the Forest of Bowland, inspired by field visits and later touring North West cities, sharing its beauty widely.
